Residue w/ Linus Hillborg - Radio Ma3azef by Linus Hillborg published on 2021-03-28T22:22:57Z Stockholm-based composer and musician Linus Hillborg has an interest in compositional techniques born out of limited computing power and sample memory. Residue is a collection of weird, darkened and solitary sounds derived from such practices, including soundtracks and ambiences from early bootleg games - heavy on FM-synthesis, repurposed samples and microtonality - as well as music of past presents and future pasts constructed in a similar vein. Ksiesyc - Smieszki Martin Galway - Title (Parallax) Kanako Kakino - Floe (Ace Combat 3: Electrosphere) Matt Seldon - Suburban Symphony (DreamWeb) Paul Ruskay - Great Wastelands (Homeworld) Minako Hamano - BSL Ambience (Metroid Fusion) Gregory Alper - BGM 10 (Darkseed) Steven O’Brien - The Wardrobe (Only If) Zhèng Yi - Green Hill Zone (Somari) Keiichi Suzuki/Hirokazu Tanaka - Deeper Into Ness’ Unconcious (MOTHER2 ギーグの逆襲) Ksiezyc - Dychana Aydin Esen - Induan Ellen Meijers - Rupture Farms, extracted ambience (Oddworld: Abe’s Oddysee) Theodor Kentros - In Girum Imus Nocte Et Consumimur Igni Kelly Bailey - Town, extracted ambience (Half-Life 2) László Hortobágyi - Bhairavi László Hortobágyi - The End Shahin Souri - Discord Kelly Bailey - Canal, extracted ambience (Half-Life 2) Brenda El Rayes - Min dikt tillbaka Kazunaka Yamane - Doppelganger (Double Dragon II) Yuzo Kishiro - Tunnelway (Bare Knuckle III) Haruhiko Souno - Onryou Senki, extracted audio (怨霊戦記) Mathieu Serruys - Phosphorescent Landscapes Sonja Tofik - The Earth Spirit Linus Hillborg - Atlashamnen Moonilena - Arasole Rain Zurich 1916 - The Children’s Song KABLAM - bryt Keiichi Suzuki/Hirokazu Tanaka - Cave of the Past (MOTHER2 ギーグの逆襲) Extracted sounds and music have their source game listed in parentheses. Genre Experimental