published on
This is a short podcast asking the question "How might a phenomenological awareness change compositional practice?"
Bibliography:
Benson, Bruce Ellis, The Improvisation of Musical Dialogue: A Phenomenology of Music (Cambridge: Cambridge University Press, 2003)
Card, James, ‘Descartes’ View of Sense Perception’, Jdcard, 1997, p. 1 <http://jdcard.com/descar.htm#fn0> [accessed 2 January 2020]
Clarke, David, ‘Music, Phenomenology, Time Consciousness’, in Music and Conciousness, ed. by Eric Clarke and David Clarke (New York: Oxford University Press, 2011), p. 8
Deacon, Terrence William, The Symbolic Species: The Co-Evolution of Language and the Brain, 1st edn (New York City: W.W. Norton and Company, 1997)
Ferneyhough, Brian, ‘The Tactility of Time’, in Collected Writings, ed. by James Boros and Richard Toon (Amsterdam: Harwood Academic Press, 1995), p. 43
Harrison, Bryn, Surface Forms (Repeating) (University of Huddersfield, 2009)
———, ‘Time, Memory and Recursive Structures’, Speculations in Sound, 2015, p. 1 <http://speculationsinsound.squarespace.com/bryn-harrison-1> [accessed 4 January 2020]
Husserl, Edmund, On the Phenomenology of the Consciousness of Internal Time, ed. by D Welton (Dordrecht: Kluwer Academic Publishers, 1991)
Peirce, Charles Saunders, The Collected Papers of Charles Sanders Peirce, ed. by C Hartshorne and A Burks (Cambridge, MA: Harvard University Press)
Saunders, James, ‘Confined Spaces: A Short Profile of Bryn Harrison’, Huddersfield Contemporary Music Festival, 2008, p. 1 <http://www.brynharrison.com/writings.html> [accessed 4 January 2020]
Tarasti, Eero, Signs of Music: A Guide to Musical Semiotics (Berlin: Mouton de Gruyter, 2002)
Taruskin, Richard, A Myth of the Twentieth Century: The Rite of Spring, the Tradition of the New, and “The Music Itself”, 2nd edn (Baltimore: Johns Hopkins University Press, 1995)
- Genre
- Learning