[Disquiet_Junto_0636] Epochs (Left 1 of 3) 72 BPM by Tristan Louth-Robins published on 2024-03-09T00:30:23Z Disquiet Junto Project 0636: Left (1 of 3) The Assignment: Record the first third of a trio. Please note: While this project is the start of a three-part sequence that will unfold over the course of three weeks, you can participate in any or all three of those parts. Step 1: This week’s Junto project is the first in a sequence intended to encourage and reward collaboration. You will be recording something with the understanding that it will remain unfinished for the time being. Your part will be done, but more will happen. Read on. Step 2: The plan is for you to record a short and original piece of music using any instrumentation of your choice. Conceive the piece as something that leaves room for something else — other instruments, other people — to join in. (Keep in mind that your piece would appear panned to the left in the finished recording, after three weeks.) Step 3: Record a short piece of music, roughly two to three minutes in length, as described in Step 2. Step 4: This is important: be sure to make your track downloadable because it may be used by someone else in the next Disquiet Junto project, and then after that. === Track notes: One of the few things I haven't been doing much of this year is playing guitar, which is my 'primary' instrument. However, since late last year the one guitar (within reach) has been a Danelectro electric 12-string, stripped back of its thick strings to only six strings and put through through a variety of modal open tunings. A few years ago I listened to Lee Renaldo talk about this kind of retrofitting, which was called an Angel Hair guitar and was pioneered in the 1960s by country guitarists to create a light, jangly accompaniment, that in some ways is reminiscent of a pedal steel guitar's upper timbre. I don't know how much open tunings figured at this time, but I could certainly appreciate Lee's attraction to all things unconventional and open-tuned. My current set up for this guitar is a D-A-C-E-A-E tuning, which gives it a kind of pentatonic, suspended tonality. Given the unconventional order of string gauges from bottom to top, the unison notes have an especially interesting appeal. From a fingerpicking approach, it all opens up the guitar in unexpected ways, since a regular picking technique can be inverted by the string gauge order and also feels quite different too. So with this in mind, I recorded a repeated fingerpicking figure which exploits the unique qualities of this setup, such as the unisons and harmonic attributes of the tuning. The main guitar (soft left) is run through an EHX Holy Grail Reverb with a smidge of spring reverb, whilst an accompaniment (same guitar and tuning) is on the soft right, also run through the Holy Grail, but with the weird 'Flerb' reverb, which is a kind of modulated effect. It's at 72bpm and runs just a shade over 2 minutes, starting a fade at the 1:46 mark. Comment by August Miles love this, guitar sounds great. Going to add something to the Daniel Diaz week 2 version for week 3 2024-03-23T22:30:41Z Comment by 337is (three three seven is) Really excellent write up of your process. Thank you for such detail and consideration. The sound and playing reminds me pleasantly of West African players like Anansy Cissé. 2024-03-14T14:15:28Z Comment by Torsten Goerke I really enjoy the sound of your Danelectro 2024-03-09T10:33:37Z