P. Parallax P Parallax Chico Repetition is based on body rhythms, so we identify with the heartbeat, or with walking, or with breathing. It's hard to say what I meant by "as we know it." I'm not about to go up on a mountain on new year's eve and wait for the lightening to strike. She was petite, and a sexual spitfire, though you wouldn't know it to look at her. It's about the manager of a sex theatre who's forced to leave and flee to the mountains. In particular what is most important to me is the transformation of a sound by slowing it down, sometimes extremely, so that the inner of sound becomes a conceivable rhythm. He was kind, he was funny, he was a bit of a nutjob; you just couldn't help but love him. Look at prohibition: all it did was make a lot of criminals rich. Then from the continuous sounds, I cut them into different durations and sliced them together again. Superimposed them in different layers. There are five runners running simultaneously in different configurations, and there's always a torch bearer running together with these sound runners. I’m so excited to have sex on camera again and since I’m back and forth all the time I can be in Los Angeles in a few hours. I use a huge gong of about 5.5-foot diameter, a Chinese gong. I've agreed to do at least three or four, as long as they don't go weird. One spherical auditorium was realized according to my suggestions in 1970, in Osaka, during the Folsom Street Fair, by a German architect. I didn’t quit porn and become a square. How did you manage this? Users who are followed by P. Parallax All Open Electrics Jon Ogara Linthwaite Operation O™ (Scribes of Avalon) South-West (West Country) ChewByte Igor Fidrya CLASS Zeke Sulkes Los Angeles CULT OF THE MANTIS Geomant edιвle oвelιѕĸ Unus mundus Archer (Shortwave/Number Stations) hfdxer HF DXer Utrecht Number Station recordings Riga