Berkeley
Experimental music that ranges feral beyond human constraints.
The music covers a lot of non-genres. Multiple resonances include Dark/Ambient, Psych, Doom, Drone, Noise Rock, Kosmische, EDM, Trapwave, and Romantic Era and Post-Romantic, with special nods to the bands Swans, Earth, Caspar Brotzman Massaker. Dystopian Inspirational for noble outlaws.
Electric guitar, bass, drum kit, lap steel slide and electrified dulcimers played with a violin bow, bodhrán, Peruvian triangle drum, snare drum, silver flute, double shepherd's flute, regular duclimers, spring reverb tank, suling, jaw harp, pungi, khaen, melodica, harmonica, broken cymbal, double wind wand, recorder, boatswain's pipe, penny whistle, slide whistle, MIDI controller to trigger computer's internal synth, voice, found objects, electric tennis racket...
Labels: Kryrart Ambient, Kryrart Records, Camembert Electrique, Cousin Silas Emporium, Dark Stereo, Sounds for the Soul Records.
My name is Rosemary Bensko, and SA is my artist name. While most songs are just me, and I do all the production, when other contributors are involved, they become part of the band for those songs.
Collaborators who contribute a stem to a track or were involved in a jam are always credited: XAW, Igor Iofe, Chris Nolte,Tom McCarthy of TM's Sundae Sauce, Steve Gilmartin, Psychedelic Mayhem, The Fall of Saigon, A.J. Kaufmann, with remixes by The Infinite Wimshurst. There are also joint ventures and SA playing and singing on other people's music.
Lots of music here you won't find elsewhere. Smaller amount is also on Bandcamp, Spotify, YouTube, Pandora, Last.fm, Instagram.
Sound Animal’s tracks
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