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The story is told in two acts;
both acts are ‘‘é®±’Ω˙, using only
vaguest of: colours, movements, and shapes.
-
**ACT I**
Colours: blue and orange, interspersed with a bit of red, green and smudgy white;
Movements:
* erratic (chaos)
* multidirectional and short-lasting, as if viewing a galaxy from outside an event horizon*
* swirl that makes sense for only a few moments but keeps swirling,
upholding momentum but no,
no story or:
*no correlation between the sprawling, sculpting lines.*
*dimply smudged, incomplete.
* unwavering
* undisturbed, spacious movements that follow each other almost seamlessly;
* high contrast, stronger hue and light against darkness, clear black and white colours.
* laconic
* exactly two movements are shown before an interval between them.
* after the interval,
a new movement is shown.
* This continues in a repetitive loop.
Shapes:
* a simple, a very simple shape is shown repeatedly.
* the shape is painted a clear colour; the drawing is
almost technological in
a way, purely outlines and
a simple pattern.
Time:
* the first act has two sequential musical compositions by Ocsid.
* the two compositions are shown along with two identically long repetitions: of
music and visuals.
* the compositions stay in medias res.
**ACT II**
Colours: bright, opaque white, pitch black and subtle smudgy beiges.
Movements:
* short, staccato and fast
* light, quick brush
strikes against the paper, adding light, white pigment onto the beige, almost white canvas.
* slightly slower in both moves, but overall very quick and comprised:
of four different movements that are in a repetitive loop.
* controlled
* follows some invisible lines,
sometimes a movement or two branches out and then follows the main line again.
* pixelated
* at first the movement is
a continuosly fluid one, but towards
the end of the composition,
it seems like the movement
is comprised of countless small movements;
technically it still is
a fluid movement, but
visual it seems that these
small movements are
composed of smaller
moves and so on –
the brush-stroke can
be seen as individual blobs:
two in one, four in one, eight, sixteen and so on.
Shapes:
* a line is drawn against
the paper, growing thicker and
thicker as the movements expand and
multiply; it is thick enough
to be called a hexagon,
but with a few quick movements
it becomes a line again.
Time: the second act
* has a longer
composition, which
starts out with
a wibe, and
almost slow,
dragging
movements
and slowly builds
up to a
stronger,
blistering,
pythonian
signature
finale.
- Genre
- BLING EMO